In the last few years, Italy has been at the forefront of huge and dramatic migrations, seeing constant flows of refugees arriving from Africa and Syria crossing the Mediterranean on dinghies and other unseaworthy vessels that often capsized, but other European countries are realising only now the extent of the drama, as people are arriving from alternative routes such as Greece, to continue their journey via Macedonia and Serbia to reach Hungary, Austria and Germany.Īs political leaders didn't seem to know what to do, one tragic image last week caused public outrage and convinced a few of them to change their hard line: the image showed the body of a drowned Syrian child, three-year old Aylan Kurdi, washed ashore and lying face down on a Turkish beach near the resort of Bodrum. This is the biggest refugee crisis since the Second World War. The power of the image haunted Carter, though, who, plagued with the moral dilemma the image had caused him - when do you stop taking photographs and start helping? - committed suicide.Īs we all know, there is a huge emergency at the moment in Europe as Syrian people are escaping the war in their country. Bought and printed by the New York Times the picture won him the Pulitzer Prize in 1994, generating more interest in raising money to stop hunger in Africa. He then chased the bird away and watched as the girl resumed her struggle. He crouched to photograph her as a vulture landed near her, but did not disturb the bird, taking the best possible image. In March 1993, he went to photograph the rebel movement in famine-stricken Sudan and saw a young girl trying to make her way to the feeding centre. Part of the so called "Bang-Bang Club" together with colleagues Greg Marinovich and Ken Oosterbroek, Kevin Carter, worked for the Johannesburg Star. Yet, last week, the ghost of a well-known photojournalist suddenly re-emerged from history to haunt many of us. The fascinating history of photography includes historical images, dramatic shoots and iconic stylish portraits, at times embedded in our memories even when we may not remember the name of the photographer who took them. From there, the subject's form can be altered effortlessly.Photography is undoubtedly a powerful medium: it immediately expresses and communicates ideas, it summarises long stories in just one shot, and can be used for persuasion and propaganda as well. With a few quick clicks, he had a perfect selection on the subject, presumably based on Adobe's algorithms determining what is and isn't in focus. The Puppet Warp tool is a brilliant want to manipulate elements of your photo to be more aesthetically pleasing if you're that way inclined, or create better composite artworks, but what struck me was just how damned easy the selection of that flamingo was. This video by photoshopCAFE is more of a demonstration of that progression than perhaps even the presenter, Colin Smith, realizes. This is the way of the world and no industry gets away from it, and while the skill ceiling may lower, the results of what is possible for the average person raises. As the years roll on all too quickly, many of the cumbersome and time-consuming tasks are replaced with automation and A.I. When I started using Photoshop - a depressingly long, 20-years-ago - any substantial editing, digital art, or image manipulation required lengthy written tutorials and painstakingly slow, manual steps.
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